Imagine being able to capture the timeless aesthetics of film directly from your digital camera. That's exactly what film simulations on Fujifilm cameras are all about.

Maggie Parisé
Fujifilm X-T5 + XF 16-80mm f/4 R OIS WR
Receipe: Portra 400
If you read my last blog post, you know how much I love film photography, both in terms of the creative process and the aesthetic rendering. When I first heard about film simulations, I was skeptical, but I quickly changed my mind.
On my last trip to Europe, I had the chance to try out the Fujifilm X-T5, and I fell in love with it. It even redefined my creative process. For those who, like me, are torn between using film and digital, this camera is the perfect compromise.
Simplicity, Efficiency and Creativity
Simplicity is at the heart of film simulations. Imagine instantly seeing the effect of the simulation in your viewfinder. It's like working with film, but with the advantages of digital photography: no rolls to lug around and develop (not to mention the associated costs), and, best of all, only one camera to carry in your suitcases, freeing up more space for memories!

Maggie Parisé
Fujifilm X-T5 + XF 16-80mm f/4 R OIS WR, at 28mm
1/125 | f/4.0 | ISO 1600
Simulation: Classic Chrome
With the Fujifilm X-T5, everything happens at the moment of shooting, allowing you to concentrate on your own creativity. JPEGs render so beautifully that retouching can almost be eliminated. For travel content creation, it's simply perfect.
The camera offers a range of pre-programmed film simulations, each with its own personality. Amongst the basic choices, you'll find classic Provia, Velvia, and Astia, as well as more creative options such as Eterna and Acros.


Maggie Parisé
Fujifilm X-T5 + XF 16-80mm f/4 R OIS WR, at 22mm
1/2000 | f/4 | ISO 200
Receipe: without, then with Portrat 400


Maggie Parisé
Fujifilm X-T5 + XF 16-80mm f/4 R OIS WR, at 55mm
1/500 | f/4.5 | ISO 250
Receipe: without, then with Portrat 400
Personalizing Simulations: A Must
The real power of these simulations lies in their customizability. You can adjust the settings of the device to better match your style and emulate your favourite films. The basic simulations are fine, but you can get much closer to the film aesthetic by customizing them.
I use the FujiXWeekly application, which offers an array of additional film "recipes" to integrate into the camera, such as the classic Kodak Portra 400, Ultramax 400, Gold 200, Ilford HP5, and many more.
Adding one of these "recipes" to your Fujifilm mirrorless or compact camera is very simple. It's a matter of creating a custom setting by following these steps: in the submenu, go to IMAGE QUALITY SETTING and select EDIT/SAVE CUSTOM SETTING.

From there, you can customize the parameters specific to the "recipe" you've chosen, such as grain, white balance, sharpness, shadows, saturation and so on. You can then save and rename this custom setting. Don't forget to select it under SELECT CUSTOM SETTING so that it can be applied. The device lets you store up to 7 custom simulations.
And that's it! Below are some of my favourite "recipes" for you to try out.
Try My 3 Favourite "Recipes"
Portra 400

Maggie Parisé
Fujifilm X-T5 + XF 16-80mm f/4 R OIS WR, at 49mm
1/2000 | f/4.5 | ISO 250
Receipe: Portra 400
The undeniable classic. My must-have that adapts to all types
and context. Here are the parameters to enter in order to apply it:
● Film Simulation: Classic Chrome
● Grain Effect: Strong, Small
● Color Chrome Effect: Strong
● Color Chrome FX Blue: Off
● WB: 5200K, +1 Red, -6 Blue
● Dynamic Range: DR400
● Highlight: 0
● Shadow: -2
● Color: +2
● Sharpness: -2
● High ISO NR: -4
● Clarity: -2
● ISO: Auto, up to ISO 6400
● Exposure Compensation: +1/3
1970’s Summer
Soft and golden. Perfect for accentuating colours in the golden hour, in the city or out in nature! Here's the "recipe":
● Film Simulation: Nostalgic Neg.
● Grain Effect: Strong, Large
● Color Chrome Effect: Strong
● Color Chrome FX Blue: Strong
● WB: 6500K, -1 Red, -4 Blue
● Dynamic Range: DR400
● Highlight: -2
● Shadow: -0.5
● Color: -2
● Sharpness: -2
● High ISO NR: -4
● Clarity: -3
● ISO: Auto, up to ISO 6400
● Exposure Compensation: +1/3

Maggie Parisé
Fujifilm X-T5 + XF 16-80mm f/4 R OIS WR, at 18.4mm
1/500 | f/7.1 | ISO 400
Receipe: 1970’s Summer
Ilford FP4 Plus 125

Maggie Parisé
Fujifilm X-T5 + XF 16-80mm f/4 R OIS WR, at 34mm
1/250 | f/5 | ISO 4000
Receipe: Ilford FP4 Plus 125
A black and white photography classic. You won't be disappointed by the richness of the tones! Here are the settings:
● Film Simulation: Monochrome
● Dynamic Range: DR400
● Highlight: -1
● Shadow: +1
● Noise Reduction: -4
● harpness: -2
● Clarity: 0
● Grain Effect: Strong, Large
● Color Chrome Effect: Off
● Color Chrome Effect Blue: Off
● WB: Daylight, +1 Red, -8 Blue
● ISO: Auto, up to ISO 6400
● Exposure Compensation: -2/3
The best of both worlds in one camera?
To create content quickly, avoid retouching, save costs and travel light, film simulations are a great asset! However, I wouldn't go so far as to say that it replaces film photography and the whole process associated with it (the excitement of seeing your photos for the first time after developing, the imperfections I love so much about film, etc.). The choice is yours!
![]() | Maggie Parisé Maggie Parisé is a travel and adventure photographer based in Montreal, Canada. It’s in nature – most often on the top of a mountain – that she feels the most inspired. With her camera, Maggie travels to remote places to capture and share visuals that tell stories and inspire people to get outside and explore. |

